September is a month of textiles. While fashion weeks in Paris and Milan highlight fabrics on the runway, debates on recycling remind us that textiles also shape how we live and work. But textile trends are not only visible in clothing. Interiors have their own history where materials once defined status, identity and comfort.
My starting point is the Rococo era, also known as Louis XV style. Between 1730 and 1760, this period redefined how people experienced space. Emerging from the scientific revolution and the counter-Catholic Reformation, Rococo marked a shift from the monumental grandeur of Baroque interiors to smaller, lighter, more intimate salons. Ornament, mirrors, and curved furniture created a sense of motion and openness that reflected a society in transition.
Luxury was not about comfort, it was about prestige. Rococo interiors were filled with silk damask, jacquard weaves, gilded finishes and exotic woods like rosewood and walnut. They were rare, imported materials ment wealth and global trade connections.
Even motifs carried meaning. The fleur-de-lis, repeated in fabrics and carvings, symbolised French monarchy. Interiors were not neutral spaces; they communicated identity, hierarchy and power.
Textiles have always evolved with society. In Rococo, materials displayed elegance and playfulness, often prioritising ornament over function. Later, in the Victorian era, tufted upholstery with covered buttons became iconic. Ornament remained, but comfort and permanence gained importance because the look became accessible to a broader public. The desire for richness persisted, but the meaning shifted.
The history of interiors shows one thing: materials communicate values. In the 18th century, damask and gilding told visitors about wealth and monarchy. Today our material choices can signal exclusivity, sustainability, or brand identity.
That’s why I translate these histories into contemporary contemporary wall panels and textile artworks. A gold embroidery of a Rococo chair, or the deep-blue palette of a luxury damask textile wall panel, becomes a narrative element in a new work. By re-using and re-framing textiles, I create bespoke wall pieces that carry both aesthetic weight and a credible sustainability story.
This post is part of a broader series on interior textile traditions. Next, I will explore the Art deco era, where bold geometry, rich materials, and new upholstery techniques redefined modern luxury and accessibility.
If you want to see how a contemporary wall panel can be translated into a circular design for your office, hospitality venue, or public space get in touch here.
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