This portfolio presents four collections of eco wall panels, each showing a different way of working with reclaimed textiles and other found materials. The panels are developed as part of a circular design process, made for architects, interior designers and companies looking for sustainable and tactile wall solutions.
Most works are made from discarded upholstery fabrics, textile samples and wallpapers from sample books or thrift stores. Materials are sorted, combined and reinforced, then cut, collaged, glued or heat-pressed into new surfaces. Some panels are embroidered or plotted, others are sublimated or layered with paper and foil.
The result is a series of geometric and balanced compositions. Some of them are decorative, some quiet and abstract, where texture, rhythm and material history define the surface. Each collection explores a different tone: from neutral layers to structured patterns or narrative pieces with symbolic meanings.
These eco wall panels can be adapted in scale, color and technique for custom interiors. Panels can be mounted individually or combined into modular wall compositions. Every piece is handmade from reclaimed materials, creating both visual quality and a tangible expression of circular design.
Geometric structure plays a central role in the composition of these eco wall panels. Shapes are planned in advance; each colour area has a defined size and proportion. This method brings order to the fragments while leaving room for organic forms within the grid. The balance between man-made geometry and irregular material edges creates tension and emphasises texture.
Explore rhythmic textile structures in Constructed Presence
My interest in geometric systems often recalls digital structures like pixels, patterns or codestring. Working with these visual frameworks allows me to explore how natureal and mechanical patterns overlap. Even within strict outlines, each material behaves differently, showing its own rhythm and beaty.
Discover organic shapes and colours in Patterns of Life
Heritage explores industrial and cultural materials from Europe’s manufacturing past. The panels combine textile remnants, wallpaper samples and other domestic leftovers collected from second-hand sources.
Patterns and colours recall Dutch and European design traditions: from the geometry of ceramics and damask to the ornament of Rococo and early printed fabrics. These fragments are shaped into new compositions that connect past production methods with today’s ideas of circular design. Each piece becomes a material archive and a contemporary art piece where memory and craft meet.
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